It's mid-November, 1978. I have just turned twelve, and I am deeply in love with Ian Richardson, a lanky, black-haired, blue-eyed boy with a sharp mind and a sardonic sense of humor. We have several classes together; there is only one Gifted & Talented track in Albert Einstein Jr. High's eighth grade program.
Though I am a mere girl, Ian is willing to be friends with me because we have one huge thing in common other than our schedule: we are both obsessed with Tolkien's The Lord of the Rings. It's not just that we've read the trilogy several times; we have taught ourselves to write in Dwarvish runes and have absorbed every bit of dry backstory we could winkle out of The Silmarillion.
Despite his inner geek, Ian is a clown, making him immensely popular with students and (oddly) teachers alike. Since my nerdiness has never known the bounds of any closet, I am fully aware how privileged I am that Ian even takes notice of me. Of course, I want more; I hope that Ian and I will eventually get married and raise a passel of kids with names like Galadriel and Faramir. But I wisely keep this to myself.
One day, as Ian and I are discussing whether the soon-to-open Ralph Bakshi adaptation of LOTR will be any good, he says something that gets my attention. "I know this band that does some songs about Middle-Earth."
Really? I must know more.
(At this point, I own exactly two records, both soundtracks: Grease and Saturday Night Fever. I'm not completely culturally illiterate; my parents are huge Beatles and Beach Boys fans, and I listen to the same top-40 radio station as most other kids my age, grooving to timeless classics by Hall & Oates and Earth, Wind & Fire.)
Ian makes me a cassette tape that includes Led Zeppelin's "Misty Mountain Hop," "Bron-Yr-Aur Stomp," and "The Battle of Evermore." I am instantly hypnotized by this strange new music, and my life is changed forever.
I'm not being dramatic. I set aside my quest to learn Quenya and let my obsessiveness autodidactism follow a new muse. Soon I've spent all my babysitting money acquiring Led Zeppelin's first four albums and subscribing to Rolling Stone magazine.
A single year later, with a little help from my friends Rolling Stone and the radio station KZAP, I've branched out into all kinds of hard and progressive rock: The Who, Boston, Yes, Foghat, Genesis, Rush, Jethro Tull, and Lynyrd Skynyrd. I've worked my way backwards to fill in the gap left after the Beatles' break-up: The Rolling Stones, Jefferson Airplane, Janis Joplin, Jimi Hendrix, Eric Clapton, and The Doors.
Led Zep's heavy blues influence also leads me in that fabulous direction: B.B. King and Stevie Ray Vaughan's Double Trouble, then somehow to Louis Armstrong and Ella Fitzgerald.
Which means when we move from Rancho Cordova (generic suburb of Sacramento) to Truckee (last bastion of Lake Tahoe ski bum hippiedom) in the middle of ninth grade, I hook up with a whole different crowd. I've gone from this (eighth grade, and picture the gaucho pants and knee socks that complete this particular ensemble):
to this (ninth grade).
Way cooler, yes? Led Zeppelin: better than What Not to Wear. Who knew?